‘Jesus Wept’

By the spring of 1965 the growth of Dimbleby’s cancer was accelerating. He was ill at ease in April when he introduced a television programme commemorating some of the great broadcasts made by his American colleague of nearly thirty years’ standing, Edward R. Murrow, who had died of lung cancer.

Ed Murrow
Edward R. Murrow

‘Jesus wept’ – two words of exasperation from a Dimbleby racked with pain, which reverberated round the world from the Royal Tour of Germany in May 1965. To most people, but not to some clergymen, Dimbleby had made an appalling irreverent blunder. Richard Francis was his Panorama producer during the Royal Tour of Germany:

It happened at the end of a tough day, Thursday 27 May. For hours the commentators of a dozen or more television networks had been doing their separate commentaries from Berlin on the Queen’s crowded progress round the city. Several times there had been technical breakdowns on the links between Berlin and West Germany. And Richard had to fit his commentary spells in with coverage of the First Test from Edgbaston.

Now, at 8.50 p.m., we were due to transmit from Berlin to Great Britain the edited highlights of the day, with a description, live on the circuit, by Richard. But to our horror all communication with London was lost just as the programme was about to go on the air. Six minutes late one vision line and one sound one were reopened and off we went. Richard was in good form and the delay soon seemed unimportant. But after two minutes, on another line, back came a message: London was not receiving us. We checked back, they were getting neither sound nor vision. Reluctantly we stopped the videotape. ‘Richard’, I said aloud, ‘hold everything. We’re not on the air. London isn’t getting us.’

‘Jesus wept.’

Which would have passed unnoticed, if London was not in fact receiving us perfectly! After a furious control-line conversation we started up again, still under the impression London hadn’t heard a word. What we did was to repeat the first couple of minutes. Richard’s professionalism made it worse; his introduction was word for word the same!

The supreme irony was yet to come. Despite losing the first ten minutes we were now ordered to end on schedule, at 9.15. And that meant fading the recording just as the Queen was approaching the Berlin wall. What an anti-climax.

Richard for once was silent at the end of a programme. More precisely he was speechless – with anger. Anger not for himself, but because he hated any BBC programme to fail, particularly one like this. There was no getting away from it, it had been a shambles. Glumly we thanked our hosts, ZDF; it was not their fault. The tension was only broken when one of the German engineers approached Richard and clicked his heels. ‘Mr Dimbleby I thank you very much. I am tonight very honoured. I always wanted to work with your BBC.’

The queen and the duke of Edinburgh stand in an open car with the Berlin Wall in the background
Berlin Wall, 27 May 1965

Of course Richard knew Berlin well. Before and at the end of the war, and later with the building of the Wall, he had made many broadcasts from there. The day before the Queen arrived, as was his wont, he had driven round the route she was going to take. Typically when he got to the Potsdamerplatz he told of his previous broadcasts from the place. There was the time in 1939 when he had described a mass rally passing down the Potsdamerstrasse and through the Platz. In their day they were to Berlin what Regent Street and Piccadilly Circus are to London today. Now they are desolate and deserted, and divided by the Wall. And just on the Western side he found the nail-head in the cobbles driven in at the end of the war to mark the limits of the American, British and Russian sectors. It was from this point that he had introduced Panorama on the night of 31 July 1961. Two weeks later the Wall was built.

At the Brandenburger Tor he stopped the car and got out. He saw an opportunity to gather something of the real flavour of life at the Wall. Two British M.P.s were manning an observation box at the bottom of the Street of 17th June. Recognising Richard they welcomed him to their raised platform. Fifteen minutes and a few small but revealing observations later, Richard continued his tour. The next day, when the Queen arrived at the Wall, his commentary was that little bit richer.

Cronkite and Eisenhower sit at a desk. In front of them a large TV set shows Dimbleby and Montgomery
Walter Cronkite and General of the Army Dwight D. Eisenhower in New York talking to Richard Dimbleby and Field-Marshal Viscount Montgomery in Churchill’s War Room in London

Richard spent most of the month of May 1965 either on or in the air. He started by flying the Atlantic three times in four days. After filming ‘New York’s Finest’, the police, he returned to introduce the Early Bird inaugural programme from London. The same night he flew out to introduce Panorama from Wall Street. Next day he rushed back to prepare for ‘VE+20’ with Monty and Ike taking part. That was the programme in which Richard took viewers round Churchill’s underground War Room, and proudly introduced David Dimbleby’s commentary from Belsen. After that a crowded fortnight following the Queen round Germany and continuing with Panorama each Monday. Seventeen transmissions and a dozen flights in one month.

It had been a tough ten days since Her Majesty started the tour. The night before she was due to arrive, Richard introduced Panorama from the Hotel Petersburg, at Königswinter. Two hours before we went on the air there was a terrible thunderstorm, and rain got into everything. When the programme started, we in the control van could not hear what Richard was saying. Never mind, we thought, he will follow the pictures. We didn’t know that his monitor had packed up just before transmission and he was commentating blind – imagining that our pictures were following his words. Fortunately he repeated almost exactly what he said in rehearsal, the pictures matched, and very few viewers would have noticed.

On the first evening of the Queen’s trip Richard was asked to comment on the arrival of Her Majesty for the banquet at Schloss Bruehl. This was due at 7.25 London time and so would fit in well with the end of Tonight. It would take about ten minutes.

Unfortunately the royal car was delayed nearly half an hour. Richard, as ever, continued implacably although the pictures offered little to talk about. Anxiously London demanded information about the Queen and why she was late. So too did Richard, with anguished facial expressions whilst he talked. The German police were approached; they knew she had left for the banquet but had no idea how far she had got. There were enormous crowds blocking the route. German Television were approached; they knew nothing. Then their producer had an idea: ‘Perhaps Herr Dimbleby knows?’

Richard was never the luckiest of people with his flights. Coming back from Hamburg at the end of the Royal Tour his Trident had to make an emergency landing. All three of the hydraulic systems failed in turn, and the plane was left without any brakes. It headed for Amsterdam, the nearest alternative airport, and Richard went back to exchange a jolly word with the rest of the BBC party. To his amazement he saw a block of seats occupied by London policemen in uniform. They had been in Hamburg to embellish the Queen’s visit. Jokingly Richard asked them if they were ready to die bravely. According to him, their reaction was to put their helmets on!

With the Pope in New York

To Richard’s deep disappointment his doctors told him he was too ill to fly to Japan in August with other members of the team for Panorama’s 430th edition. Most of the programme came from Nagasaki, just twenty years after the atomic bomb explosion which had ended World War II. Richard had to stay in the studio. He announced the date of Panorama’s return after the summer break under its new editor Jeremy Isaacs and added, as some thought modestly, ‘I hope to be in attendance’. He was expressing a real and far from certain hope. Meanwhile it had been announced that Pope Paul VI would visit the United Nations on Monday 4 October 1965. The first visit of a Pope to American shores was a great television occasion, both for Eurovision and for Panorama that Monday evening. Richard Dimbleby undertook what turned out to be his last journey abroad, and his last great broadcasting event. Again Richard Francis was the Panorama producer with him:

Richard arrived in the BBC New York office late on Friday 1 October. Although it was after 11 p.m. on his time-scale he immediately set about the task of gathering information. Which were the best books on this and that, who was the best man to talk to about the Catholic hierarchy in the States, how accurately was the Pope’s schedule known?

Next day, the Saturday, he attended the briefings held by the UN television unit and CBS. They, with Italian Television, were co-ordinating the programme for all the European networks. Eurovision of course took a common picture sent over the Early Bird satellite. On this occasion the rival American networks also took a common picture. They forsook competition in favour of pooling their resources to get the best coverage of the event. Significantly, at these briefings, the American producers could never quite place Richard among the other commentators. One felt perhaps they would have been happier if he had chaired the meeting. Their solution was to refer all conclusions to him before finalising, ‘How d’you reckon that’s gonna make out, Dick?’

Richard had not been feeling well since his arrival. ‘Something I’ve eaten’ he dismissed it, although he was running a high temperature. Nevertheless, on the Saturday evening he went to two parties. The first was with Peter Woods, former BBC colleague and now ITN’s correspondent in New York. He was doing Independent Television’s commentary on the Monday. Then on to Eddi Ploman, who was running the United Nations coverage. By now he could not eat a thing, but he was still very much the life and centre of the party.

At 10 o’clock on Sunday morning a large black open car drew up outside the Algonquin Hotel in West 44th Street. It was a sunny, though fresh, autumn morning, but Richard insisted that the hood remain down for the drive round the Pope’s route. He wanted to see as much detail as possible.

Ed Stutley, the 20-stone coloured driver, made his living by driving and showing people round Manhattan. Up the long Third Avenue into Harlem he was pointing out the very blocks occupied by Italians, Puerto Ricans, Spanish and Negroes in the polyglot community. Richard made careful notes. But later on, coming back through Central Park, Richard took up the story. ‘That’s the open-air restaurant where… ‘on the next corner is Carnegie Hall…’, ‘there’s Tiffany’s, where His Holiness is not expected for breakfast…’. It was an entertainment in itself.

The Pope in New York

The great day was not without incident. After the 25-mile drive to St Patrick’s Cathedral in Fifth Avenue, the Pope retired to Cardinal Spellman’s residence to rest before meeting President Johnson. Meanwhile BBC-1 slipped in the transmission of Blue Peter. On returning to New York viewers were just in time to see the Pope emerge from the residence. The timing was perfect, it seemed as if he had been cued.

Now Richard began the build-up to the historic moment. ‘This will be the first time a Pope has met a President in the United States…’ ‘All over Europe and particularly in Italy millions of people are watching and waiting for this, one of the highlights of the day….’ The Pope entered the lift at the Waldorf Astoria; on the top floor President Johnson was known to be waiting. Imagine the let-down when there appeared on the screen not the President but an American television commentator. Quickly Richard explained, ‘that is of course our NBC colleague, Ray Scherer…’. Thinking it was a temporary switching error, he flannelled. Not at all. Unknown to us, there had been a last-minute change of plan. The President would see the Pope in private first, the cameras would be let in later. It took some time to establish even that. The Eurovision control room was bedlam. Limply the several European commentators had to round off their commentaries and return viewers to their studios. One of the Italian producers turned to us, ‘Richard was able to make it sound like nothing happened, yes?’

The Pope at the United Nations

Half an hour before he was due to introduce Panorama from the UN, Richard was already cooped up in the interpreter’s box he was using for his commentary. Scarcely larger than a telephone kiosk, it overlooked not the General Assembly but the Trusteeship Council Chamber. So for the Pope’s Address he would have to rely on his monitor. He was checking over his homework when the British party, Lord Caradon, Lord Chalfont and the Foreign Secretary, Michael Stewart, passed by. Lord Caradon stopped, ‘Richard, how nice to see you. What are you doing here? Wouldn’t you rather come and work in our room nearby?’ Richard declined, he wouldn’t leave his post at that stage.

By the time the Pope had finished speaking, and we were off the air, it was late evening in London. But to us it was still only afternoon. Richard felt flat. ‘What about a really good dinner tonight, Sardi’s or somewhere?’ we suggested. No, he couldn’t face it, he was still off his food. ‘What I’d really like to do,’ he confessed, ‘is to see Hello Dolly. It’s the one show I’ve missed.’

Although it had been running on Broadway for nearly two years, ‘Dolly’ was still sold out for months ahead. At two hours’ notice it looked impossible. Sue Goldman of the BBC New York office rang the theatre. ‘Any chance of two really good seats for tonight?’ ‘For tonight! You’re kidding…. Anyway, who are they for?’ ‘Richard Dimbleby.’ ‘Mr Dimbleby? Well now, Mr Dimbleby we can accommodate.’ For a couple of hours he really enjoyed himself.